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Alfred Sisley Kastanienallee in La Celle Saint Cloud oil painting


Kastanienallee in La Celle Saint Cloud
Painting ID::  80757
Alfred Sisley
Kastanienallee in La Celle Saint Cloud
1865(1865) Medium Oil on canvas Dimensions 50 x 65 cm cyf

   
   
     

Alfred Sisley Die Strohmieten oil painting


Die Strohmieten
Painting ID::  80830
Alfred Sisley
Die Strohmieten
1895 Medium Oil on canvas Dimensions 60 x 73 cm cyf

   
   
     

Alfred Sisley La Seine a Argenteuil oil painting


La Seine a Argenteuil
Painting ID::  80920
Alfred Sisley
La Seine a Argenteuil
1872(1872) Medium Oil on canvas Dimensions 73 x 50 cm (28.7 x 19.7 in) cyf

   
   
     

Alfred Sisley Wiese in By oil painting


Wiese in By
Painting ID::  81435
Alfred Sisley
Wiese in By
1880 Medium Oil on canvas Dimensions 71,5 x 80 cm cyf

   
   
     

Alfred Sisley The Bourgogne Lock at Moret, Spring oil painting


The Bourgogne Lock at Moret, Spring
Painting ID::  81447
Alfred Sisley
The Bourgogne Lock at Moret, Spring
Date 1882(1882) Medium Oil on canvas Dimensions 54 x 72.5 cm (21.3 x 28.5 in) cjr

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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